Three shoots in ten days
Over the last ten days, I did three
shoots with the XF-100, each of which was designed to emphasize color in a
different way. The first featured model Pauline, styling and hair by Moons
Vinties, and makeup by Loes Ijmker makeup artist. In it, we went for vintage
seventies clothing shot in a Victorian drawing room tucked into a sprawling
restaurant and tavern. Pauline’s other photos had a tendency toward a strong
hue influence over scene colors. I wanted to use the XF-100 to do the reverse
by emphasizing the difference between every color in the scene.
The second shoot took place in the
same restaurant/tavern as the first, but in a different room. It featured the
model Fabienne van den Kieboom, styling by Kiki Vogels Styling, and makeup by
Fadim Kurt. Sweaters by Vila, Skirt by Fashion Room, Shoes by Sacha Shoes,
Jewelry by Clouds of Fashion, Dress, scarf, suit, and jeans by Mango. The room
was an old tap room on the ground floor. For this shoot, the goal was to use
the XF-100 to extract a rich tonal range from within a limited palette of
yellows, reds, and violets.
The last shoot was much shorter
than expected, giving us only a couple of hours. That shoot took place at an
abandoned indoor swimming pool that was being remodeled. It was a large space
with a huge bank of windows on one side. I wanted to take advantage of the
light streaming in through the windows before it was gone, so we shot near them
first and then moved into the pool. However, almost as soon as I took my first
test shot in the pool, we were kicked out. I did snap about half a dozen more
images before we left, but I would have liked to have had another few hours in
there. The goal for this location was to make use of the 15-stop dynamic range
offered by the XF-100 to deliver the feel of bright back lighting and rich
foreground color. The model for this shoot was Lola Borghgraef, makeup by Mandy
Glasbergen, and location scout/assistant Neville Marcinkowski.
For all of the shoots I used a
Phase One XF camera with an IQ3-100 digital back and 2x Profoto B1 strobes. For
the Fabienne shoot I also used a small gold reflector. For lenses, I used the
Schneider-Kreuznach blue ring 80mm and 150mm LS lenses.
Here are the photos:
Shoot 1: Pauline
Figure 1
Pauline in stripes, f/5, 1/125s, ISO 200, 80mm
Figure 2
Pauline with bag, f/3.2, 1/320s, ISO 50, 80mm
Figure 3
Pauline oval, f/7.1, 1/200s, ISO 200, 150mm
Figure 4
Pauline in blue, f/5.6, 1/40s, ISO 400, 150mm
Figure 5
Pauline portrait, f/4, 1/250s, ISO 50, 150mm
Shoot 2: Fabienne
Figure 6
Fabienne skirt, f/4, 1/100s, ISO 100, 80mm
Figure 7
Fabienne portrait, f/3.5, 1/125s, ISO 200, 80mm (lit with a reflector and low
intensity strobe side light)
Figure 9
Fabienne glam, f/8, 1/500s, ISO 50, 80mm
Figure 10
Fabienne suit, f/5.6, 1/125s, ISO 200, 80mm
Figure 11
Fabienne sweater, f/5.6, 1/125s, ISO 200, 80mm
Shoot 3: Lola
Figure 12
Lola diving platform, f/5, 1/160s, ISO 100, 150mm
Figure 13
Lola window, f/3.5, 1/320s, ISO 200, 150mm
Figure 14
Lola ledge, f/3.5, 1/160s, ISO 400, 150mm
Figure 15
Lola blue, f/5.6, 1/200s, ISO 200, 80mm
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